Throughout the nineteenth century, Ireland was by far the most dominant national trope in English-printed street balladry, appearing as specified place in English streetballadry almost as much as England itself. Ireland was imagined through melody and performance on street corners, at fairs, in workplaces and in homes via singers and the printed ballad-sheets that increased exponentially between the eighteenth and the nineteenth centuries. It was a presence that made itself known in these songs either as central character, as tonal background, as political issue, as metaphor for rurality or resistance, or via a song’s Irish protagonists. Its image in popular English street culture changed throughout the century as new representations...